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Brief History of band music and if you want to know more I leave the link where the complete information.
https://es.wikipedia.org/wiki/Banda_sinaloense
Sinaloense Band or Tambora Sinaloense is a type of musical ensemble of traditional and popular music genre, which is culturally established in the early twenties in the State of Sinaloa, Mexico North West region. It is a genre with Europeans to organological European style Fanfare remaining, plays a varied musical forms, repertoire that dominated traditional sones, rancheras, corridos, polkas, waltzes, mazurkas, chotis, all tailored to the sensitivity of Mexican inhabitants of this region; popular music as well as Cumbia romantic ballad.
Origin
sinaloense band early 1900

In the late nineteenth century, in all regions of Mexico were ensembles of wind instruments and piano, who played in military regiments, village festivals and religious processions, adding to the assemblies recent instruments metal alloys in the second half of XIX century when about in the 1840s, the last wind instruments with the mechanisms that were later distinguished for wind bands, taking into consideration the time it took her arrival in Mexico and developed marketing; is estimated to have organological latest consolidation in Sinaloa bands and orchestras was the cornet and with its piston mechanism to mid 1880. It is at this time when they begin to emerge in some villages of Sinaloa, especially those in the mountainous area, where they had built their own band, where tuned in the scale of my ♭ bombardinos and even saxophones were used among other instruments which resulted in the emergence of "orchestras bands" in the city were only for the social elite, however, in other localities the rustic instrumental sound where the instruments were scarce was used. The particular geography of the state of Sinaloa, located between the sea and the mountains, and with difficult access to the rest of Mexico, allowed different rhythms of European origin remain in force among the rural population.

In the late 80s technobanda, which dispensed with some traditional instruments (trumpets, trombones, percussion, drums) to electronically reproduce a similar sound it emerged. Stand at this time groupings like Band Vaqueros Musical, Banda Machos, Banda Zeta, Banda Maguey Banda Jabali, Students Band, Banda Los Sinley, Banda Brava, Banda La Mentira, Banda Mobile and Banda Camino, which popularized a rhythm called "quebradita" product of the fusion of cumbia and cumbión with sinaloense band. However, they did not let the public share original instrumentation bands like Banda El Recodo, Banda La Costeña Ramon Lopez Alvarado, La Original Banda El Limon, Banda Los Recoditos, among others.

From this period comes the third generation of singers recognized by accompanying his voice with Sinaloense band, although his repertoire is defined rather by market areas demands: Jose Angel Ledezma "The Coyote" and his band Holy Land, Valentin Elizalde, Julio Preciado, Lupillo Rivera and bands like Banda El Limon and Arrolladora MS Band all within an ambiguous musical genre called "grupero" covering northern groups, sinaloenses bands, technobandas and duranguenses groups.